CARTOGRAPHY AND CLAUSTROPHOBIA. Diegetic maps in American science-fiction (1956–1981)

Italiano, Federico; Italiano, Federico

2/2018, [:it]dicembre[:en]December[:] ISBN: 978-88-31928-39-7pp. 141 - 158 DOI: 10.19280/P2018-2-007

Abstract

Considered in its semiotic and symbolic complexity, the cartographic imagination of a literary text or a film is crucial not only for the understanding of the cinematographic or literary work itself, but also for penetrating into the discourse of a determined historical epoch. What I want to show in this article is the function of cartographic imagination in science fiction films produced during the first three decades of the Space Age (1957–1986), which, more or less, coincided with the years of the Cold War.

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MLA	Italiano, Federico. "CARTOGRAPHY AND CLAUSTROPHOBIA. Diegetic maps in American science-fiction (1956–1981)". Pólemos XI. 2. (2018): 141-158 https://www.rivistapolemos.it/cartografia-e-claustrofobia-mappe-diegetiche-nella-fantascienza-americana-1956-1981/?lang=en
APA	Italiano, . (2018). "CARTOGRAPHY AND CLAUSTROPHOBIA. Diegetic maps in American science-fiction (1956–1981)". Pólemos XI. (2). 141-158 https://www.rivistapolemos.it/cartografia-e-claustrofobia-mappe-diegetiche-nella-fantascienza-americana-1956-1981/?lang=en
Chicago	Italiano, Federico. 2018. "CARTOGRAPHY AND CLAUSTROPHOBIA. Diegetic maps in American science-fiction (1956–1981)". Pólemos XI (2). Donzelli Editore: 141-158. https://www.rivistapolemos.it/cartografia-e-claustrofobia-mappe-diegetiche-nella-fantascienza-americana-1956-1981/?lang=en
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TY - JOUR
A1 - Italiano, Federico 
 
PY - 2018 
TI - CARTOGRAPHY AND CLAUSTROPHOBIA. Diegetic maps in American science-fiction (1956–1981) 
JO - Plemos 
SN - 978-88-31928-39-7/2281-9517 
AB - Considered in its semiotic and symbolic complexity, the cartographic imagination of a literary text or a film is crucial not only for the understanding of the cinematographic or literary work itself, but also for penetrating into the discourse of a determined historical epoch. What I want to show in this article is the function of cartographic imagination in science fiction films produced during the first three decades of the Space Age (1957–1986), which, more or less, coincided with the years of the Cold War.  
SE - 2/2018 
DA - 2018 
KW - map
KW - science fiction
KW - spazio
KW - cartografia
KW - cartography
KW - space
KW - mappa   
UR - https://www.rivistapolemos.it/cartografia-e-claustrofobia-mappe-diegetiche-nella-fantascienza-americana-1956-1981/?lang=en 
DO - 10.19280/P2018-2-007 
PB - Donzelli Editore
LA - it  
SP - 141 
EP - 158 
ER -

@article{1019280/P20182007,
author = {Federico Italiano},
title = {CARTOGRAPHY AND CLAUSTROPHOBIA. Diegetic maps in American science-fiction (1956–1981)},
publisher = {Donzelli Editore},
year = {2018},
ISBN = {978-88-31928-39-7},
issn = {2281-9517},
abstract = {Considered in its semiotic and symbolic complexity, the cartographic imagination of a literary text or a film is crucial not only for the understanding of the cinematographic or literary work itself, but also for penetrating into the discourse of a determined historical epoch. What I want to show in this article is the function of cartographic imagination in science fiction films produced during the first three decades of the Space Age (1957–1986), which, more or less, coincided with the years of the Cold War.}
journal = {Pólemos},
number = {2/2018},
doi = {10.19280/P2018-2-007},
URL = {https://www.rivistapolemos.it/cartografia-e-claustrofobia-mappe-diegetiche-nella-fantascienza-americana-1956-1981/?lang=en},
keywords = {map; science fiction; spazio; cartografia; cartography; space; mappa.},
pages = {141-158},
language = {it}
}

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