In an urban and architectural reading, astonishment and wonder, responses that are in part neglected, become crucial feelings for the perception of the world around us and for understanding the places we inhabit. If the sensorial experience of the urban context is mainly inferred from the sense of sight, other senses such as touch and hearing often prove essential for spatial knowledge. Sistine Rome, with its new regulatory axes and its constellations of punctiform obelisks, and lagoon Venice, characterised by its canals, its minute and strongly textured fabric, become emblematic cases for urban understanding through different sensorial experiences. Through the instrument of the section, in fact, it is possible to verify, in the city, the equation that connects urban space with the experience of meaning and the individual. It will then be the monument, in its symbolic and semiotic meaning, that will reinforce this concordance by affirming the different relationships between the city and the visual goals or between the urban context and the perception of matter.
Ciangola, Manuela, and Francesco Masiello.
"The senses of monuments: Rome and Venice between amazement and wonder". Pólemos,vol. V, no. 2, 2024, 101-111.https://www.rivistapolemos.it/the-senses-of-monuments-rome-and-venice-between-amazement-and-wonder/?lang=en
APA
Ciangola, M., & Masiello, F. (2024). The senses of monuments: Rome and Venice between amazement and wonder. Pólemos,V (2), 101-111https://www.rivistapolemos.it/the-senses-of-monuments-rome-and-venice-between-amazement-and-wonder/?lang=en
Chicago
Ciangola, Manuela, and Francesco Masiello. "The senses of monuments: Rome and Venice between amazement and wonder" PólemosV, no. 2 (2024): 101-111. https://www.rivistapolemos.it/the-senses-of-monuments-rome-and-venice-between-amazement-and-wonder/?lang=en
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TY - JOUR
A1 - Ciangola, Manuela
A2 - Masiello,Francesco
PY - 2024
TI - The senses of monuments: Rome and Venice between amazement and wonder
JO - Pólemos
SN - 2281-9517/2281-9517
AB - In an urban and architectural reading, astonishment and wonder, responses that are in part neglected, become crucial feelings for the perception of the world around us and for understanding the places we inhabit. If the sensorial experience of the urban context is mainly inferred from the sense of sight, other senses such as touch and hearing often prove essential for spatial knowledge. Sistine Rome, with its new regulatory axes and its constellations of punctiform obelisks, and lagoon Venice, characterised by its canals, its minute and strongly textured fabric, become emblematic cases for urban understanding through different sensorial experiences. Through the instrument of the section, in fact, it is possible to verify, in the city, the equation that connects urban space with the experience of meaning and the individual. It will then be the monument, in its symbolic and semiotic meaning, that will reinforce this concordance by affirming the different relationships between the city and the visual goals or between the urban context and the perception of matter.
SE - 2/2024
DA - 2024
KW - meraviglia KW - awe KW - wonder KW - Sistine Rome KW - lagoon Venice KW - visual supremacy KW - listen to matter
UR - https://www.rivistapolemos.it/the-senses-of-monuments-rome-and-venice-between-amazement-and-wonder/?lang=en
DO - 10.48247/P2024-2-007
PB - Donzelli Editore
LA - it
SP - 101
EP - 111
ER -
@article{1048247/P20242007,
author = {Manuela Ciangola and FrancescoMasiello},
title = {The senses of monuments: Rome and Venice between amazement and wonder},
publisher = {Donzelli Editore},
year = {2024},
ISBN = {2281-9517},
issn = {2281-9517},
abstract = {In an urban and architectural reading, astonishment and wonder, responses that are in part neglected, become crucial feelings for the perception of the world around us and for understanding the places we inhabit. If the sensorial experience of the urban context is mainly inferred from the sense of sight, other senses such as touch and hearing often prove essential for spatial knowledge. Sistine Rome, with its new regulatory axes and its constellations of punctiform obelisks, and lagoon Venice, characterised by its canals, its minute and strongly textured fabric, become emblematic cases for urban understanding through different sensorial experiences. Through the instrument of the section, in fact, it is possible to verify, in the city, the equation that connects urban space with the experience of meaning and the individual. It will then be the monument, in its symbolic and semiotic meaning, that will reinforce this concordance by affirming the different relationships between the city and the visual goals or between the urban context and the perception of matter.}
journal = {Pólemos},
number = {2/2024},
doi = {10.48247/P2024-2-007},
URL = {https://www.rivistapolemos.it/the-senses-of-monuments-rome-and-venice-between-amazement-and-wonder/?lang=en},
keywords = {meraviglia; awe; wonder; Sistine Rome; lagoon Venice; visual supremacy; listen to matter.},
pages = {101-111},
language = {it}
}
