THE I ON THE WAY TO THE NEW MYTHOLOGY. Aesthetic intuition as the origin of objectification in Schelling’s System of transcendental idealism

Tarli, Simone; Tarli, Simone

2/2017, [:it]dicembre[:en]December[:] ISBN: [:it]978-88-31928-35-9[:en]978-88-31928-32-8[:]pp. 103 - 120 DOI: 10.19280/P2017-2-006

Abstract

In this paper we put a light on the aesthetic intuition in Schelling’s philosophy, giving most of the space to the last two paragraphs of the System des transzendentalen Idealismus written in 1800. The interest of the analysis is the relationship between the artist’s intuition and the philosopher’s subjectivity, the “I”. In their essential connection, the works of the philosopher and of the artist – the genius – are different but complementary, because the perfection of the philosophy can be reached only with the help of the unconsciousness that takes the place of the freedom during any very artistic production. With a short comparison to Kant’s Kritik der Urteilskraft, we consider the objectivity reached by Schelling as the final step towards to the new mythology, the realization of the philosophers’ hope, in which the contradiction between freedom and necessity would be passed over.

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MLA	Tarli, Simone. "THE I ON THE WAY TO THE NEW MYTHOLOGY. Aesthetic intuition as the origin of objectification in Schelling’s System of transcendental idealism". Pólemos X. 2. (2017): 103-120 https://www.rivistapolemos.it/das-ich-auf-dem-weg-zur-neuen-mythologie-die-asthetische-anschauung-als-objektivierungsursprung-im-system-des-transzendentalen-idealismus-schellings/?lang=en
APA	Tarli, . (2017). "THE I ON THE WAY TO THE NEW MYTHOLOGY. Aesthetic intuition as the origin of objectification in Schelling’s System of transcendental idealism". Pólemos X. (2). 103-120 https://www.rivistapolemos.it/das-ich-auf-dem-weg-zur-neuen-mythologie-die-asthetische-anschauung-als-objektivierungsursprung-im-system-des-transzendentalen-idealismus-schellings/?lang=en
Chicago	Tarli, Simone. 2017. "THE I ON THE WAY TO THE NEW MYTHOLOGY. Aesthetic intuition as the origin of objectification in Schelling’s System of transcendental idealism". Pólemos X (2). Donzelli Editore: 103-120. https://www.rivistapolemos.it/das-ich-auf-dem-weg-zur-neuen-mythologie-die-asthetische-anschauung-als-objektivierungsursprung-im-system-des-transzendentalen-idealismus-schellings/?lang=en
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TY - JOUR
A1 - Tarli, Simone 
 
PY - 2017 
TI - THE I ON THE WAY TO THE NEW MYTHOLOGY. Aesthetic intuition as the origin of objectification in Schelling’s System of transcendental idealism 
JO - Plemos 
SN - [:it]978-88-31928-35-9[:en]978-88-31928-32-8[:]/2281-9517 
AB - In this paper we put a light on the aesthetic intuition in Schelling’s philosophy, giving most of the space to the last two paragraphs of the System des transzendentalen Idealismus written in 1800. The interest of the analysis is the relationship between the artist’s intuition and the philosopher’s subjectivity, the “I”. In their essential connection, the works of the philosopher and of the artist – the genius – are different but complementary, because the perfection of the philosophy can be reached only with the help of the unconsciousness that takes the place of the freedom during any very artistic production. With a short comparison to Kant’s Kritik der Urteilskraft, we consider the objectivity reached by Schelling as the final step towards to the new mythology, the realization of the philosophers’ hope, in which the contradiction between freedom and necessity would be passed over.  
SE - 2/2017 
DA - 2017 
KW - idealismo trascendentale
KW - Schelling
KW - intuizione mitologia
KW - soggetto
KW - transcendental idealism
KW - intuition
KW - mythology
KW - subject   
UR - https://www.rivistapolemos.it/das-ich-auf-dem-weg-zur-neuen-mythologie-die-asthetische-anschauung-als-objektivierungsursprung-im-system-des-transzendentalen-idealismus-schellings/?lang=en 
DO - 10.19280/P2017-2-006 
PB - Donzelli Editore
LA - de  
SP - 103 
EP - 120 
ER -

@article{1019280/P20172006,
author = {Simone Tarli},
title = {THE I ON THE WAY TO THE NEW MYTHOLOGY. Aesthetic intuition as the origin of objectification in Schelling’s System of transcendental idealism},
publisher = {Donzelli Editore},
year = {2017},
ISBN = {[:it]978-88-31928-35-9[:en]978-88-31928-32-8[:]},
issn = {2281-9517},
abstract = {In this paper we put a light on the aesthetic intuition in Schelling’s philosophy, giving most of the space to the last two paragraphs of the System des transzendentalen Idealismus written in 1800. The interest of the analysis is the relationship between the artist’s intuition and the philosopher’s subjectivity, the “I”. In their essential connection, the works of the philosopher and of the artist – the genius – are different but complementary, because the perfection of the philosophy can be reached only with the help of the unconsciousness that takes the place of the freedom during any very artistic production. With a short comparison to Kant’s Kritik der Urteilskraft, we consider the objectivity reached by Schelling as the final step towards to the new mythology, the realization of the philosophers’ hope, in which the contradiction between freedom and necessity would be passed over.}
journal = {Pólemos},
number = {2/2017},
doi = {10.19280/P2017-2-006},
URL = {https://www.rivistapolemos.it/das-ich-auf-dem-weg-zur-neuen-mythologie-die-asthetische-anschauung-als-objektivierungsursprung-im-system-des-transzendentalen-idealismus-schellings/?lang=en},
keywords = {idealismo trascendentale; Schelling; intuizione mitologia; soggetto; transcendental idealism; intuition; mythology; subject.},
pages = {103-120},
language = {de}
}

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idealismo trascendentale Schelling intuizione mitologia soggetto transcendental idealism intuition mythology subject

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